What Seeds May Lie in Dreams: An Interview

In this interview, I talked with Sandra R. Campbell, author of The Butterfly Harvest and Dark Migration, about her just-released novel, The Dead Days Journal. Prepare to enter a radically-upended world… (Excerpt included at the end)

How would you describe The Dead Days Journal

The Dead Days is tragic tale of fear, family and love: a story about facing your fears and believing in yourself. Leo Marrok and her father Vincent are forced to face their worst fears, and the choices they make will either increase their chances of survival or destroy them completely. This story shows how family bonds can be twisted and torn, that blood is not always thicker than water, and how the people you love and trust the most are often the ones who will destroy you. There is also a love story intertwined in all the chaos that demonstrates how your initial perception of someone can be changed by their actions. Outside appearances are not a representation of what is in someone’s heart. The old adage: never judge a book by its cover, applies to the relationship developing between Leo and the creature she calls Halloween.

Judging a book by its cover can be dangerous, for sure. It sounds like you’re tackling some darker themes. Did you initially know this was the direction you were going to take the story, or is it something that evolved from the characters?  

Vincent Marrok was always meant to be a dark character. A man without limitations is dangerous. Not to mention, a man who suffered a lifetime of animosity and excommunication due to his albinism. Add in a lawless world, where the only rules that apply are the rules he makes. At some point, he’s going to cross the line between what’s truly moral and what he believes to be right. Lucky for me the characters were all onboard and helped in creating a story that explores the darkest side of humanity. 

I’m going to ask you a question that I know authors tend to laugh about, but because readers often ask it, it means there is general interest in gaining an understanding. So, here goes: where do you get your ideas? 

I’m not laughing, but your readers may laugh at my answer. As cliché as it sounds, I had a dream. A family is trapped in a house with their enemies breaking down the doors. The father orders his daughter to flee the house. But her only escape is to jump off a cliff to her death. Just as she’s about to leap, she is rescued by her pursuer. This scenario is a far cry from the current story, but the dream planted the first seed. If a dream sticks with me until morning, I use it. The subconscious mind is a powerful tool for a writer.

Do you have plans for continuing this story? 

Yes, I listed this book as Volume 1, so readers know there is a sequel coming. Book 2 will be the final resolution of The Dead Days Journal.

 sandra9 (1) The Dead Days Journal is available now. To learn more, visit Sandra R. Campbell at http://www.sandrarcampbell.com/. Here’s a special excerpt for your reading pleasure: 

I’m alive, but I should be dead. I’m moving but not walking… Someone’s carrying me.

The sounds of the forest were all around me, except there wasn’t a single footstep rustling the forest floor. I only sensed the movement through the person who held me—superior strength and superior grace. I felt his powerful strides advancing as he clutched me to his solid chest, the strong arms that cradled my damaged body.

Can the dead dream? No.

There was no way of knowing how long I’d been unconscious. My memories were slow, spotty, coming back in short blasts of terror that started with the recollection of my father’s demands for a grandchild. I remembered running away, being attacked by a man in a mask, and waking up on the ground alone, the hungry beast dropping out of the tree.

Are the attacker and the monster one and the same?

I tried to recall the struggle. I’d stabbed the strange monster in the gut and made it bleed.

I hurt it.

The monster had retaliated by taking a chunk out of my neck.

It hurt me back.

I cringed as I remembered the terror and the agony I felt while it fed from my vein. An odd sort of throbbing in my neck quickened as my heart raced. How am I still alive? Panic stole my breath and uncontrollable twitches jerked at my limbs. The arms holding me tightened in response, restraining my erratic movement.

Something slid past my lips into my mouth. I tried to turn my head, working to keep my mouth clamped shut but failing. Nothing stopped the intrusion, which I thought to be a finger, from the size and feel. Whatever he forced me to eat left a sticky residue on my tongue that tasted sweet and bitter, like a bad dessert wine. I wanted to open my eyes to see who carried me, but I couldn’t. So I tried to call out, several times, but nothing came out of my mouth.

He’s taking me somewhere I don’t want to go.

“Is she going to be okay?” It was a man’s voice, a voice I knew. I’m not in the arms of the monster. Jack must have heard my screams. He saved me and now he was taking me home to Ben. A sob of relief pushed past my lungs to escape my mouth.

*Excerpted with the author’s permission from The Dead Days Journal.

Failure of Imagination

 

Image courtesy of antpkr / FreeDigitalPhotos.net

Image courtesy of antpkr / FreeDigitalPhotos.net

As part of my research for a book I’m writing, I am reading “The Great Deluge,” by Douglas Brinkley. I’ve actually been reading this book for some time, taking it in small bites for a multitude of reasons. One of those reasons is that it will serve as material for just a section of my book, so I don’t need to complete it within any particular time frame or bump other reading material to accommodate it. A second very big reason is that I can’t read it too close to bedtime, when I normally do the bulk of my reading, because it’s highly likely to give me nightmares.

 

The book is an incredibly precise accounting of the lead-up to the storm and its aftermath. Anyone near a television during those days who watched from safety outside of the storm’s devastation no doubt can still recall the searing images of a city devastated, many of its people stranded and losing hopeif not their lives. Brinkley, a consummate historian, tells the story with the in-depth parsing of events that only a skilled historian can achieve, while also weaving a story that draws you into its grip from the first paragraph of the first chapter.

 

A lot of blame was slung around after Katrina had moved on, and much of it rightfully so. What I can’t help but conclude—and the book makes starkly evident—is that a failure of imagination was one of the greatest underpinnings to the human consequences of this disaster. Sometimes we forget that true horror lies not just in books and movies. Or maybe we want to forget, which is why we ignore our imaginations, allowing them to fail at the very time when life—potentially our own as well as othersmay depend on it.

Writerly Collaboration

Image courtesy of Evgeni Dinev / FreeDigitalPhotos.net

Image courtesy of Evgeni Dinev / FreeDigitalPhotos.net

I enjoy spending time with people, talking and sharing ideas, laughing, being outdoors, EATING, drinking wine or brew… but by nature, I’m more the lone wolf. My grandmother taught me as a little person how to entertain myself. I have enough reading materials to keep me busy a couple of lifetimes, and enough writing ideas… well, best not to jinx it.

When it comes to writing down those ideas, the words come in fits and starts, like a water faucet pulling from a near-dry well in an abandoned cabin. Maybe it’s because my day job requires that I write, that by the time I get around to “my” writing, my brain is in “hibernate” mode.

So it has been a twist to my worldview to discover that, collaborating with another writer on a story, I don’t have the fit-and-start thing going on… it’s more of a we-struck-oil gusher that I have to curb so I don’t dominate the storyline. Maybe there isn’t as much pressure having a writing partner.

For one, if you get stuck, they can get down into the weeds of a story with you and give that nudge to get you moving. Second, if you lose the thread of continuity, you have a second set of eyes to find it. Third, there’s a fair measure of accountability going on, because when I get the draft to work on, I know my writing partner is waiting… so I don’t have the luxury of trite, cliché or even wildly-creative excuse-making.

I enjoy collaborating, and our latest installment of our shared effort Two Weeks to Rites, which so far has been a blast, is now posted. Go to: http://waterfrontwriters.com/

Thanks for stopping by for a visit! Back to my wolf den…

Two Weeks to Rites: Story Origins

Writers are often asked where they get their ideas. Actually, no one has ever asked me that – but I’ve had many very nice offers to write various individuals’ stories because their lives have been so interesting. I aspire to be the person who tells a writer that I’m so interesting, my life absolutely must be written about. With a straight face. However, with proper editing and generous flights of fancy, we’re all interesting, right?

But I digress…

Tomorrow is the release of the web series, Two Weeks to Rites, I am working on with my writing-partner-in-crime Sandra R. Campbell. The idea for our series has its origins in a seemingly innocuous picture: we were taking photos to put on our new site, and we noticed something odd in the picture taken of me. (Something odder than just me.) It looked like a copse of dark woods was just behind me. But, when the same area was viewed in real-time with our eyeballs, it was just a couple of skinny trees. They didn’t even have enough girth to cast a shadow.

And so, our story was born. Whether these “dark woods” will figure into our story or not, you’ll have to wait and see. There have been many twists and turns the tale has taken, and I have to say that it has been an exciting writer’s journey so far.

So if this were Aesop’s fables, I’d have to make sure I underscore the lesson: keep your eyes open, and remember to also occasionally squint to gain a different perspective, because you never know what you’ll see.

Please join us tomorrow, www.waterfrontwriters.com, for the release of the first chapter of our series.

Thanks for stopping by!

My Freaky, Icky, Ew List

Image courtesy of FreeDigitalPhotos.net

If anyone were to overhear the conversations of a group of writers when they get together, they’d either run away in terror or notify the authorities – or both. There’s something to be said about having the freedom to say whatever is on your mind in the name of artistic expression that is absolutely, imagination-satisfyingly delicious.

And at times, unnerving due to the bends and twists it sends your mind on.

From one of these eclectic conversations, I discovered I have a freaky, icky, ew list. This list comprises the things that terrify me. In no particular order, my top 3 are:

1- Eyeball damage of any sort

2- Rabies

3- Demonic possession

So, I can’t remember exactly because there was wine at this particular meeting, but I believe I have been tasked with coming up with a story that includes all three.

I’ll try, but I don’t know if I’m ready for the nightmares…

Please do share… Do you have a freaky, icky, ew list? If so, what’s on it? Really, I’m burning with curiosity to know!