What Seeds May Lie in Dreams: An Interview

In this interview, I talked with Sandra R. Campbell, author of The Butterfly Harvest and Dark Migration, about her just-released novel, The Dead Days Journal. Prepare to enter a radically-upended world… (Excerpt included at the end)

How would you describe The Dead Days Journal

The Dead Days is tragic tale of fear, family and love: a story about facing your fears and believing in yourself. Leo Marrok and her father Vincent are forced to face their worst fears, and the choices they make will either increase their chances of survival or destroy them completely. This story shows how family bonds can be twisted and torn, that blood is not always thicker than water, and how the people you love and trust the most are often the ones who will destroy you. There is also a love story intertwined in all the chaos that demonstrates how your initial perception of someone can be changed by their actions. Outside appearances are not a representation of what is in someone’s heart. The old adage: never judge a book by its cover, applies to the relationship developing between Leo and the creature she calls Halloween.

Judging a book by its cover can be dangerous, for sure. It sounds like you’re tackling some darker themes. Did you initially know this was the direction you were going to take the story, or is it something that evolved from the characters?  

Vincent Marrok was always meant to be a dark character. A man without limitations is dangerous. Not to mention, a man who suffered a lifetime of animosity and excommunication due to his albinism. Add in a lawless world, where the only rules that apply are the rules he makes. At some point, he’s going to cross the line between what’s truly moral and what he believes to be right. Lucky for me the characters were all onboard and helped in creating a story that explores the darkest side of humanity. 

I’m going to ask you a question that I know authors tend to laugh about, but because readers often ask it, it means there is general interest in gaining an understanding. So, here goes: where do you get your ideas? 

I’m not laughing, but your readers may laugh at my answer. As cliché as it sounds, I had a dream. A family is trapped in a house with their enemies breaking down the doors. The father orders his daughter to flee the house. But her only escape is to jump off a cliff to her death. Just as she’s about to leap, she is rescued by her pursuer. This scenario is a far cry from the current story, but the dream planted the first seed. If a dream sticks with me until morning, I use it. The subconscious mind is a powerful tool for a writer.

Do you have plans for continuing this story? 

Yes, I listed this book as Volume 1, so readers know there is a sequel coming. Book 2 will be the final resolution of The Dead Days Journal.

 sandra9 (1) The Dead Days Journal is available now. To learn more, visit Sandra R. Campbell at http://www.sandrarcampbell.com/. Here’s a special excerpt for your reading pleasure: 

I’m alive, but I should be dead. I’m moving but not walking… Someone’s carrying me.

The sounds of the forest were all around me, except there wasn’t a single footstep rustling the forest floor. I only sensed the movement through the person who held me—superior strength and superior grace. I felt his powerful strides advancing as he clutched me to his solid chest, the strong arms that cradled my damaged body.

Can the dead dream? No.

There was no way of knowing how long I’d been unconscious. My memories were slow, spotty, coming back in short blasts of terror that started with the recollection of my father’s demands for a grandchild. I remembered running away, being attacked by a man in a mask, and waking up on the ground alone, the hungry beast dropping out of the tree.

Are the attacker and the monster one and the same?

I tried to recall the struggle. I’d stabbed the strange monster in the gut and made it bleed.

I hurt it.

The monster had retaliated by taking a chunk out of my neck.

It hurt me back.

I cringed as I remembered the terror and the agony I felt while it fed from my vein. An odd sort of throbbing in my neck quickened as my heart raced. How am I still alive? Panic stole my breath and uncontrollable twitches jerked at my limbs. The arms holding me tightened in response, restraining my erratic movement.

Something slid past my lips into my mouth. I tried to turn my head, working to keep my mouth clamped shut but failing. Nothing stopped the intrusion, which I thought to be a finger, from the size and feel. Whatever he forced me to eat left a sticky residue on my tongue that tasted sweet and bitter, like a bad dessert wine. I wanted to open my eyes to see who carried me, but I couldn’t. So I tried to call out, several times, but nothing came out of my mouth.

He’s taking me somewhere I don’t want to go.

“Is she going to be okay?” It was a man’s voice, a voice I knew. I’m not in the arms of the monster. Jack must have heard my screams. He saved me and now he was taking me home to Ben. A sob of relief pushed past my lungs to escape my mouth.

*Excerpted with the author’s permission from The Dead Days Journal.

Man of Steel: Have All the Good Stories Already Been Told?

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Last Thursday was my son’s birthday, and he wanted to go see a movie. In a theater, not in our house. I could only dig in my heels slightly when he said he wanted to see “Man of Steel.” After all… it was his birthday, so I had to be a good sport and push down my desire to use my last-resort trump card: no, because I said so. Instead, it was with gritted teeth and a grimace that I replied, “Yes, little darling… it is, after all, your day.” 

I was pleasantly surprised… I really enjoyed it. Tears, laughs, completely plugged in… who’d have thunk it? 

My initial gripe was that, here we go, Hollywood is regurgitating the same storyline over and over… and did I mention, over, again? In the name of all that’s creative, can’t they produce something fresh, new, original? Or have all the good stories already been told, and this is why we revisit the same thing, even if it is in new incarnations?

As I watched “Man of Steel,” I realized that all the good stories have already been told, and we will continue to see the same stories over and over. They will come as remakes of the same thing bringing a new twist and visual effects, or they will be those fresh, new, original stories we year for. All stories resonate with us because they share in common the same mythic structure: heroes and heroines, villains, mentors, challenges, tension, resolution.

All the good stories have been told and will continue to be told, packaged in the structure that makes them reach into our human psyche and touch our hearts.

What’s your take?